If we can invent the term “transcendental rock”, then let’s apply it to DARSOMBRA, Brian Daniloski and Ann Everton’s audiovisual music project. Daniloski, a veteran of heavier, sludgier, grittier rock bands such as Meatjack and Trephine, controls the sound of Darsombra, alternating between mammoth vocal swells and soundscapes and searing guitar riffs, leads, loops and samples. Take one part metal, one part psychedelic rock, one part experimental and a dash of prog and krautrock, and you begin to have an idea why Darsombra, as music, needs its own genre. But there is more than just Daniloski’s sonic world at play here – video artist Everton takes his work to the next level by bringing her Darsombra-induced visions to the stage through her kinetic psychotropic video projections, creating an constantly shifting backdrop to Daniloski’s live performances.

Born in 1994 in the basements of West Philadelphia and tempered by seventeen years of American and European tours (sharing stages with bands such as Clutch, Corrosion of Conformity, Rollins Band, Fugazi, Zeni Geva, Today Is The Day, Weedeater, Hidden Hand, Don Vito, Antikaroshi, End of Level Boss and Beehoover) STINKING LIZAVETA has built a reputation as one of progressive metal’s most unique and devastating live acts and stands as one of America’s most durable and powerful rock bands. Stinking Liz will restore your faith in rock and roll!

quelle: artderkultur.de